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The epic in a pixel

Director Rajan and Kumar Shahani in 'When the Bird became a Wave'.


Close-up and up close

Exterior shot of the prison wall in Necati Somez's

Squeezing the olives

The cell at Robben Island where Nelson Mandela was incarcerated.


Prefiguring journalistic truth-telling

A still from the film “ Man with the Movie Camera ”. The work has long been hailed as a film-makers’ film.


The aesthetics and politics of representation

Recent Articles

Caught between life and death
 I am the MLA representing Ramanathpuram wherein Rameshwaram is situated. Thanks for a nice exposition of the problem. The articles say...»
posted by Jawahirullah   on Nov 14, 2014 at 23:20 IST

Fait accompli?
 The slogan of retrieving Black money,an electoral plank,which BJP intented to manoeuvre to garner votes, thus outscoring UPA suffered from ...»
posted by C.Chandrasekaran   on Nov 20, 2014 at 21:56 IST

Culpable leadership
 All of us should be ashamed of the poor and weak response to the world's worst chemical disaster. It is also a case of Corporate Misgovernan...»
posted by kannan subramanian   on Nov 22, 2014 at 11:53 IST


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